Cesareo "Well, never inspired the Rapisardi not a particular concrete reality, but always takes the moves from a concept or religious or scientific, or social, or moral .... His world is a forest of allegories, his creations are a multitude of symbols. In a time where the aspiration of the new consciousness was (p. 172) appetite, pure animality, historical materialism, in the time of realism and materialism in art, Rapisardi built his work in the fog of impalpable abstractions ... His creations are always ambiguous, nor any body, nor any spirit, hesitating between the sensible and the supersensible ....
..... And that means good unnatural creatures in a supernatural world abbian voices, feelings, relationships that do not match point with men: so that, before constructing such poetic, it feels a sense of unease, of 'oppression, anxiety , which at a little anxiety should be to those who climbed upon a mountain too high, that has stopped breathing with difficulty, the time the strong pound, it's dark vision, shaky legs, he would like escape and feels irresistibly attracted by the vertigo of the infinite.
Rapisardi The poems recall a bit of 'those buildings primeval barbarian of the literatures, which are not more religious and have not art: the hallucination diffluent has not condensed in the exact form of personal creation: a gestation in the world, a world not yet made. It seems as if a huge cloud to float and sparkle, there is no clearly distinguishable figure, neither a god nor a hero, or an animal: appearances are tentative, shaky, constantly mutable, as aspects that are developed by a swarm of clouds in contrast with the wind. It does not seem work individually, but collectively, the incessant labor of many generations, becoming and ever
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